
CHAMBER
PERFORMANCES.
LOCAL ARTISTS.
PASSION WITH
PURPOSE.

Informal Casting Announcement
Gianni Schicchi
Rinuccio
Lauretta
Zita
Nella
Ciesca
Gherardo
Gherardino
Betto di Signa
Simone
Marco
Maestro Spinelloccio/Guccio
Ser Amantio di Nicolao
Pinellino
Juan Garza
Brian Yeakley/Davian Raggio
Giuliana Misasi/Annabella Cox
Jennifer Quintero/Meaghan Heath
Chelsea Scott/Madeline Andriesen
Alexandra Kurkjian/Megan Ferrari
Rene Vazquez
Sage Kiggundu
Cameron Wheatley
Joseph Rawley
Bryce Veazey
Lorenzo Trujillo
Landyn Cline
Tobi Dobkins
Professional Opera Auditions for the 2025 season are CLOSED, Mentoring Program Musical Auditions for young singers (and any Professionals/Amateurs looking for a gig in the summer) wanting to be in our musical are currently CLOSED.
Thanks for your interest in performing with us!
Check out our
Singer Resource Page!
If you are a singer who is new to the
Houston area, and are looking for some singing gigs, paid or unpaid, check out this page for some guidance! You'll find links to the best resources to update your audition materials, where to find gigs, and hopefully other areas to connect to other musical local artists!
Click below to support Operativo
through our Patreon Page:
Shows will be post on social media:
Statement of equality:
Operativo Houston wants to address that we are for equal treatment of the singers we employ regardless of race, religion, sexual orientation, weight, height, nor any other discriminatory practice, and only critique and hire based off of vocal skill, talent, and work ethic. If you are interested in fighting for the rights of your fellow singers that have been wronged and you believe Operativo as a local opera company can assist, please contact us in the About tab and we will handle business from there. If you think Operativo has made an error that could be misconstrued as discriminatory, please contact us as well and bring that to our attention.
Thank you!
OUR MISSION
AND VISION
Operativo Houston strives to provide local singers with performance experience and additional income, and local audiences with quality chamber performances where audiences can also make meaningful connections with their local artists















